Welborn on The Lion, The Witch and the Wardrobe
But in the crush of the marketplace, where everyone is exploiting everyone else, authenticity gets drained, even just a little bit, out of the moment. The key in LWW, of course, is Aslan’s sacrifice. The way it all occurs in this film, less-than-deeply rooted in any sense of broader, deeper purpose, it comes across as clearly a Christ moment, but almost here as a trick, as a convenient, easy-to-grasp symbolic action that might certainly remind some, if not most, of the Passion, death and resurrection of Jesus, but doesn’t spark much of any sense of the role of this sacrifice – the scapelion’s resurrection ends up being more of a “Here he comes to save the day” moment than a moment of restoration. ~Amy Welborn
Very nicely put. From what I have read, that is exactly the impression I received.
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