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Subhana Man Sawwar

Listening to the performances of traditional muwashshahsongs by Zein al-Jundi and reading a bit about the genre, it has been a pleasant, not entirely surprising, discovery that three of the principal instruments in muwashshah ensembles are the oud, qanun and kamancha, which are also central to traditional Armenian music.  This makes perfect sense, when you consider the proximity of Syria and Armenia and the longstanding patterns of exchange between the two lands, but it nonetheless seemed like something worth noting.

about the author

Daniel Larison is a senior editor at TAC, where he also keeps a solo blog. He has been published in the New York Times Book Review, Dallas Morning News, World Politics Review, Politico Magazine, Orthodox Life, Front Porch Republic, The American Scene, and Culture11, and was a columnist for The Week. He holds a PhD in history from the University of Chicago, and resides in Lancaster, PA. Follow him on Twitter.

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