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Now For Something Completely Different

Chris Cornell’s new album, Scream, has finally come out, and my copy just arrived today. It’s about time. From some of the videos I had already seen and on account of the album’s producer, I knew that the sound was going to be very different from most of Cornell’s other music, but for the most part I don’t buy the claim popular among some old Soundgarden fans that Cornell has “sold out.”

Update: To each his own, of course, but David Polansky goes too far when he calls Cornell “execrable.” What is it with that word? It seems to be cropping up quite often lately. Even if Cornell’s alt-rock career with Soundgarden and Audioslave (or Temple of the Dog) is not to your liking, which I can understand easily enough if you didn’t grow up in the ’90s, his solo work in Euphoria Morning and Carry On does not deserve this sort of contempt.

And, yes, the last time I checked, I am human.

about the author

Daniel Larison is a senior editor at TAC, where he also keeps a solo blog. He has been published in the New York Times Book Review, Dallas Morning News, World Politics Review, Politico Magazine, Orthodox Life, Front Porch Republic, The American Scene, and Culture11, and was a columnist for The Week. He holds a PhD in history from the University of Chicago, and resides in Lancaster, PA. Follow him on Twitter.

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