Arts & Letters
Oliver Stone’s biopic is factually accurate, but honesty isn’t the same as objectivity.
James K.A. Smith’s new book explores the heart-shaping power of our habits.
Like his predecessors, Obama has pursued a foreign policy of primacy, not restraint.
Don’t Breathe is an effective horror flick whose least-effective elements hide its real insights.
The colorful history of encyclopedias, dictionaries, and atlases—the original search engines
Trump has dispelled plenty of illusions about the GOP coalition. So what comes next?
No filmmaker may ever nail it.
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Yuval Levin suggests a return to subsidiarity can cure our fractured republic.
Cervantes’ masterpiece captures the modern human condition in all of its layers and ambiguities.
Not all the Founders were for limited government.
Today’s newest antiheroes don’t pretend to be anything other than what they are: terrible people.
What do a series of radical re-imaginings of American classics by European directors say about our relationship to our own history?
Why do Zalmay Khalilzad and others in the foreign-policy establishment refuse to question America’s role in the world?
What medieval penance can tell us about making modern-day amends.
A Prairie Home Companion sounded like easy nostalgia, but at heart was elegiac and mournful.
It’s become an all-purpose pejorative—but is not necessarily a creature of the counterrevolutionary right.
In the film Little Sister, everybody is damaged and betrayed—but they are genuinely forgiven.