From the newest print edition of the magazine, my look at the history of American street engineering, and why Hans Monderman’s shared space movement is a reform that conservatives should be able to embrace.
The removal of signs, signals, and markings from a street inverts the logic that has governed our roadways for almost as long as automobiles have been mass produced, as doing so moves decision-making from the engineer who designs the street back to the people who use it. The absence of speed-limit signs means a driver must read his environment and modulate his speed appropriately. The absence of stop signs and stoplights means neither driver nor pedestrian is told when to go or when to stop; each must instead make those decisions spontaneously in response to conditions on and around the road.
With auto industry support, modernist planners’ fantastical ideas for remaking the American city were suddenly given the financial muscle to become possible and even mandatory. Highways would be brought into the heart of the city, people would be cordoned from the streets, and everything would be separated into its own gleaming sphere. Cronyist central planning bent well-meaning engineers to its ambitions and shut out ordinary citizens.
When European countries began encountering significant traffic congestion five to 10 years after the United States, they sent their own engineers to learn from the Americans and implemented similar standards, including the now ubiquitous traffic light and stop sign. “By 1938,” Norton relates, “the sociologist Louis Wirth could name ‘the clock and the traffic signal’ as the two symbols ‘of the basis of our social order in the urban world.’”
This stands in stark contrast to the standardization of roads according to the rules of conventional traffic engineering. When a road is totally divorced from its context, when an identical stretch of asphalt runs through a hundred towns across the country, “when you removed all the things that made people know where they were, what they were a part of, and when you changed it into a uniform world … then you have to explain things,” Monderman argued. A clutter of signs and directional arrows is an attempt at technocratic compensation for the destruction of place.
Read the full article here: http://www.theamericanconservative.com/articles/put-a-stop-to-stoplights/