Prufrock

Is All Poetry “Against War and in Favor of Life”?

John Ashbery once wrote that “All poetry is against war and in favor of life, or else it isn’t poetry, and it stops being poetry when it is forced into the mold of a particular program. Poetry is poetry. Protest is protest.”

Over at Capital Commentary, I take a look at the context of Ashbery’s remark and suggest that while he was wrong that poetry is always against war, he’s right that one of the key characteristics of protest and propaganda is a forcing of language.

Ashbery’s point was not that poetry is apolitical, but that poetry devoted to a single cause or program lacks the independence to deal with human experience in all its ambiguities and paradoxes…a poem is much less a poem to the extent that it forces its words to carry an idea further than the words themselves will allow.

Brett Beasley, in turn, offers a nice defense of war poetry via Tennyson’s “The Charge of the Light Brigade” over at The Curator, and shows that one can remember the fallen dead–and even inflate their heroism and sacrifice–without naively praising war itself:

Tennyson’s poem might misrepresent the facts, but, despite initial appearances, it by no means presents a simple or one-sided view of war or heroism. The soldiers of the Light Brigade face an absurd situation filled with mismanagement (“someone had blundered”) and hopelessness (“Theirs not to reason why, / Theirs but to do and die”) as well as defenselessness (they charge with minimal armor, wielding swords against cannons). In preserving the memory of the Light Brigade, Tennyson preserved the particular set of complexities and contradictions that characterized what many have called “the first modern war.”

Read the rest of Beasley’s essay here.

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Vera Nabokov or Elinor Frost?

This Atlantic article on Vladimir Nabokov’s wife, Vera, who devoted her life to his writing, is making the rounds. Executive summary: Most writers “pine” for a “do-it-all spouse” like Vera, but it’s harder for women writers to find one.

It is a beautiful thing when couples sacrifice themselves for each other–that is what marriage is all about–but why single out the sacrifices of non-writerly spouses for writerly ones as somehow special, as if writing–more so than other vocations–requires and is more deserving of such sacrifice?  It’s not.

Were he alive today, Robert Frost–that great megalomanic misogynist–would have scoffed at such horseradish. When Amy Lowell made Frost’s wife, Elinor, out to be “the conventional helpmeet of genius” in an essay on the poet, Frost wrote Louis Untermeyer to complain:

Catch her getting any satisfaction out of what her housekeeping may have done to feed a poet! Rats! She hates housekeeping. She has worked because the work has piled on top of her. Be she hasn’t pretended to like housework even for my sake. If she has liked anything it has been what I may call living it on the high. She’s especially wary of honors that derogate from the poetic life she fancies us living. What a cheap common unindividualized picture Amy makes of her.

Update: Marly Youmans–who is a novelist and a poet–put it this way earlier this week: ”What is a spouse for? Not to be your personal servant, certainly! I’m glad to have married a man who likes to cook and does so. But I didn’t and don’t expect my husband to read or critique manuscripts, act as my secretary, clean the bathrooms, do the laundry for five people (or however many are in residence at the moment), vacuum, etc. Do I wish he would do all those things? It’s a bit tempting . . . but no, not really, thanks.”

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The Futurist Gospel

Bryan Appleyard speaks truth to techno-futurist craziness over at The New Statesman:

Futurologists are almost always wrong. Indeed, Clive James invented a word – “Hermie” – to denote an inaccurate prediction by a futurologist. This was an ironic tribute to the cold war strategist and, in later life, pop futurologist Herman Kahn. It was slightly unfair, because Kahn made so many fairly obvious predictions – mobile phones and the like – that it was inevitable quite a few would be right.

Even poppier was Alvin Toffler, with his 1970 book Future Shock, which suggested that the pace of technological change would cause psychological breakdown and social paralysis, not an obvious feature of the Facebook generation. Most inaccurate of all was Paul R Ehrlich who, in The Population Bomb, predicted that hundreds of millions would die of starvation in the 1970s. Hunger, in fact, has since declined quite rapidly.

Perhaps the most significant inaccuracy concerned artificial intelligence (AI). In 1956 the polymath Herbert Simon predicted that “machines will be capable, within 20 years, of doing any work a man can do” and in 1967 the cognitive scientist Marvin Minsky announced that “within a generation . . . the problem of creating ‘artificial intelligence’ will substantially be solved”. Yet, in spite of all the hype and the dizzying increases in the power and speed of computers, we are nowhere near creating a thinking machine.

Such a machine is the basis of Kurzweil’s singularity, but futurologists seldom let the facts get in the way of a good prophecy. Or, if they must, they simply move on. The nightmarishly intractable problem of space travel has more or less killed that futurological category and the unexpected complexities of genetics have put that on the back burner for the moment, leaving neuroscientists to take on the prediction game. But futurology as a whole is in rude health despite all the setbacks.

Why? Because there’s money in it; money and faith. I don’t just mean the few millions to be made from book sales; nor do I mean the simple geek belief in gadgetry. And I certainly don’t mean the pallid, undefined, pop-song promises of politicians trying to turn our eyes from the present – Bill Clinton’s “Don’t stop thinking about tomorrow” and Tony Blair’s “Things can only get better”. No, I mean the billions involved in corporate destinies and the yearning for salvation from our human condition.

Appleyard goes on to discuss the hope that futurists place in neuroscience:

We are, it is said, on the verge of mapping, modelling and even replicating the human brain and, once we have done that, the mechanistic foundations of the mind will be exposed. Then we will be able to enhance, empower or (more likely) control the human world in its entirety. This way, I need hardly point out, madness lies.

There is, of course, a lot of good, practical work done in neuroscience in the area of memory loss,  attention disorders, brain development, and so forth. But in other areas it is often infused with a fair bit of futurist mumbo-jumbo.

Walter Sinnott-Armstrong is no futurist, but his remarks on  the possibility of using transcranial magnetic stimulation (TMS)–which can disrupt the neurons in the area of the brain associated with moral reasoning–to change how psychopaths think is the sort of technological breakthrough that futurists hope will transform human existence:

“It’s possible that if we understand the neural circuits that underlie psychopaths and their behavior, we can use medications and magnetic stimulation to change their behavior,” he said.

* * *

Existing studies tend to only look at how the brain responds to one kind of moral question: Circumstances in which a hypothetical person in some way causes harm, Sinnott-Armstrong said.

But there are many other areas to explore, such as disloyalty to friends, “impure” sexual acts, and procedural injustice. How does the brain respond to a good outcome achieved by questionable means, such as a good leader coming to power in an unjust process? These topics are all ripe for future study.

Believe that homosexuality is a sin? Zap. Unkind and unjust to friends and family? Buzz.

It won’t happen, of course, because moral reasoning cannot be reduced to the brain, even if it is not entirely separate from it either. (More on that, perhaps, in a later post.) But I think that Appleyard is right that the problem with the futurist vision is not that it might come true but that it is a waste of time and money.

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Dignity and Poverty

In the Times Literary Supplement, Jonathan Benthall reviews Jeremy Seabrook’s Pauperland in which Seabrook claims that the poor in Britain are no longer treated with dignity but are viewed with disdain. The poor, in turn, pursue “a degraded version of aristocratic grandeur.” Benthall writes that according to Seabrook:

In earlier times, attempts were made by the comfortably off to curb the desires of poor people, and their profligacy was frowned on. But high consumption by the poor is now encouraged as a source of commercial profit. Bombarded with incitements to spend, the poor no longer aim at securing a modest sufficiency, but tend to become caricatures of the rich.

Seabrook may be right that the poor today, more so than fifty years ago, attempt to imitate the “ostentatious kitsch and bling” of the wealthy. Here in Appalachia, I have driven past trailers with plastic toys, bikes, trampolines, plastic swimming pools, play sets, and so forth, strewn across the yard in the rain. Many poor are indeed consumed with consumerism.

At the same time, there are also those trailers that are free of clutter, with a small vegetable garden to the side and flowers in front. My wife, who works at the local library, encounters both the demanding, chain-smoking couple on food stamps who check out movie after movie and the High School girl who works to support her parents while attending school and who still finds time to check out books for her younger siblings.

So, yes, the poor are more ostentatious, but not without qualification. There are still those who live a life of what Seabrook calls “modest sufficiency.”

Nor is the solution to our disdain for the poor the hatred of the wealthy as Seabrook proposes. Being rich is not evil, and an inordinate love of temporal things–greed–is as easily exercised in a free market economy as it is in a command one.

Update: Let me add that personal charity towards the poor offers the opportunity to identify with another person’s poverty and is a tacit acknowledgement that wealth and human dignity are two separate things. Hate simply breeds more hate.

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Weekend Epigram

Verse from the Author, in his Ninety-Seventh Year, on His Stomach
Bernard Le Bovier de Fontenelle

Although they argue ad hoc and ad hac*
On my veritable life,
I am now no more than a stomach;
It’s not much, but it’ll do.

Qu’on raisonne ad hoc et ad hac
Sur mon existence présente,
Je ne suis plus qu’un estomac;
C’est bien peu, mais je m’en contente.

*Carries the sense here of “left and right.”

Bernard Le Bovier de Fontenelle (1657-1757) lived a long life, and his age was much discussed in his time–hence the above poem. He studied at Rouen and practiced briefly as a lawyer before devoting himself to writing. While he wrote poems, plays, and opera, he is mostly remembered for his essays on nature, Greek thought and metaphysics. His works include Dialogues des morts [Conversations among the Dead], Entretiens sur la pluralité des mondes [Investigations on Multiple Worlds] and Discours sur l’églogue [Discourse on the Pastoral]. He was elected to the French Academy in 1691.

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Buzzfeed’s “Ideas” Section

Buzzfeed started a new vertical two days ago called “Ideas.” The introduction is not very promising. It reads like someone who does not have any ideas trying to have one. At first I thought it was an April Fools joke, but no. First sentence:

There’s no other time in history I envy compared with the present.

I am tired of reading pieces that begin with personal preference or feeling (and I’m not contradicting myself when I say that), but it is particularly out of place here. Who cares what you envy, like, loathe, distrust. Let’s focus on ideas, shall we?

“Mass communication” has finally become more practice than product, and the confrontation between those who once directed the mainstream and those disserved by it has never been more possible.

Not mass communication but “mass communication,” and what does it mean that the “confrontation”—is that the right word?—between mainstream media and those “disserved by it” (conservatives?) has “never been more possible”? I understand what I’m supposed to feel here—Buzzfeed is doing something new and it’s going to be interesting (process over product!)—I’m just not sure what this sentence means.

 The public sphere now means a larger, more empowered public, and no new venture will survive without appreciating that fact. I’m proud to helm a project that isn’t suspicious of this shift.

Since this is going to be an ideas section, let’s investigate this one: Is the “public sphere” now “larger” and “more empowered”? What is “the public sphere”? Are people on Twitter and with individual blogs part of “the public sphere”? And are people—all people or just Americans?—generally more “empowered”? Or does the ability to readily share our opinions on Twitter and Facebook simply make us feel more empowered?

The category of writing broadly referred to as criticism was once just how a select few determined canon. It’s now a genre revitalized by a cultural shift toward conversation. And the angle with the most longevity on any topic is always the one that aims beyond the last word. That’s the difference between Ideas and the next cycle of think pieces: a valuation of inquiry that builds — not just reacts.

Let’s start with a false distinction borrowed from a local undergraduate literary theory class (once “a select few determined canon” but now the canon is determined by a wide variety of identity theorists), followed by another vaguely hopeful assertion (criticism is “a genre revitalized”!) and a muddled take home: Buzzfeed “Ideas” is going to publish angles that aim “beyond the last word” (and in language!) because these pieces last the longest. So, ideas and traffic, but mostly traffic.

This is a rather harsh reading of the introduction, and I considered toning it down, but I decided not to because good ideas that are clearly expressed are important, though they are rarely popular, at least initially. Perhaps it will surprise me, but based on its introduction, Buzzfeed’s new section looks to be more interested in the simulacrum of thought and in the polishing of dull clichés than in actual thinking.

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Battle of the Car Ads

In The Atlantic, Rebecca J. Rosen directs our attention to Ford’s response to Cadillac’s much-discussed “Why do we work so hard?” commercial. Rosen writes that while the two ads share a high view of work, they present two radically different reasons for working hard.

Here are the two ads:

Cadillac:

Ford:

Rosen: “For Cadillac, the answer to that question [ 'Why do we work so hard?'] is ‘all that stuff.’ For Ford, it’s ‘to make the world better.’ The justifications for a hard-working life are night and day, but neither ad disparages the slog itself.”

Well, no. The reason why Americans work so hard, according to the Cadillac ad, is not “all that stuff,” it is to do something great—fly, box, go to the moon. The “stuff” is just the cherry on top–though, granted, it’s a pretty visible cherry.

As brazen as the Cadillac ad is, the two commercials are not all that different. They do differ in how they define excellence. In the Cadillac spot, it’s innovation in something—anything. In the Ford, it’s doing something our culture considers morally laudable—saving the planet. (Though it’s worth noting that both are advertisements for electric cars—the innovation subtly pushed in the Cadillac commercial is their use of “green” technology.)

But both share the view that what makes a person better than another is his or her work in the service of doing something great in this life. Americans in the Cadillac commercial are better than the French because they’ve gone to the moon. The woman in the Ford commercial is better than the Cadillac guy because she buys local food and recycles.

Both are good ads, but I think the Cadillac one is better. Its blunt honesty about our unabashed materialism and arrogance may be many things, but it’s not boring, as Rod noted a few weeks ago. By contrast, the Ford ad tells us that we are all good people (or should be!, tsk, tsk) because we make the world a better place–unlike those crass materialists. All this while trying to sell us a new car. Other than the fact that it’s a response to Caddy, it’s like most commercials these days.

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On Credible Female Characters

Over at The New Statesman, Belinda Parmar complains about a game her son plays–Skylanders–in which there are no credible female characters:

The sky-lands are a man’s world, and this is a game in which a mostly male cast of fantasy heroes have to smash and bash their way through a mostly male cast of fantasy baddies. There’s almost no problem that cannot be overcome by slashing or shooting.

There are characters who are explicitly female such as Ningini. You can tell they are female because they are narrower-waisted with disproportionately large breasts and they grunt in a slightly higher-pitched tone than their male counterparts. These physical characteristics aside, they are functionally identical to the male characters – that is to say they obliterate and plunder in a broadly similar way.

For reasons of cost or lack of imagination – the female characters are merely alternative “models” – animated graphics that are loaded each time the player selects another character. The end result is a sort of PC pretence that gender differences don’t exist, since in this game everybody does exactly the same job in exactly the same way.

I grow tired–as I sense Parmar does–of the perceived need of game developers, editors, and producers to include an equal number of male and female characters in every game, book, or film. Our culture is obsessed with tallying, but parity of characters or writers does not make a game, book or magazine more womanly or better. On that score, initiatives like The VIDA Count are almost entirely misguided.

But here’s the deal: The “PC pretence” that Parmar identifies in Skylanders–where “gender differences don’t exist”–is not so much pretense as it is a faithful application of a feminism that regularly disregards such biological differences. As Parmar notes, that disregard is neither true nor interesting.

I once had a staunchly feminist English professor who had enrolled her daughter in a gender neutral preschool. There were no gendered toys, only things likes blocks and sticks. When she went to pick up her daughter, she was shocked to see that the girls were walking around the room cradling the blocks. The boys were throwing them.

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Hobby Lobby and Modern Capitalism

In his latest column, Patrick Deneen argues that Hobby Lobby’s suit against the Federal government is both a little absurd and hypocritical. While the Big Box store is fighting for religious liberty in this particular case, its business practices (price-cutting, the use of overseas manufacturers, the displacement of “traditional communities”), Deneen argues, are immoral:

As Polanyi describes, economic exchange so ordered placed a priority on the main ends of social and religious life—the sustenance of community order and flourishing of families within that order. The understanding of an economy based upon the accumulated calculations of self-maximizing individuals was largely non-existent, and a “market” was understood to be a part of the whole, an actual physical place within that social order, not an autonomous, even theoretical space for the exchange of abstracted utility maximers.

Polanyi describes how the replacement of this economy required concerted and often violent reshaping of the existing life-world, most often by elite economic and State actors disrupting and displacing traditional communities and practices. It also required not only the separation of markets from social and religious contexts, and with that move the “individuation” of people, but their acceptance that their labor and nature were nothing more than commodities subject to price mechanisms, a transformative way of considering people and nature alike in newly utilitarian terms. Yet market liberalism required treating both people and natural resources as these “fictitious commodities,” as material for use in industrial processes, in order to disassociate markets from morals and “re-train” people to think of themselves first and foremost as individuals separate from nature and each other. As Polanyi pithily described this transformation, “laissez-faire was planned.”

In short, it’s not just Hobby Lobby that is immoral, it is modern day capitalism that is immoral. Perhaps I’m misreading that, but I don’t know how else to make sense of “market liberalism required treating both people and natural resources as…material for use in industrial processes.”

I enjoy Patrick’s columns, and maybe he will offer some further comment at some point, but I’m skeptical of this particular argument.

First, it does not follow that we “lose” even if Hobby Lobby wins because it is an immoral agent (if I grant Deneen’s point regarding Hobby Lobby). Lots of evil agents have unwillingly been forces of good in the world. Deneen’s point is that the case will do nothing to curtail Hobby Lobby’s immoral business practices, but that’s not what this case is about, and to suggest that it does not really matter whether Hobby Lobby wins or loses because they will continue their bad practices minimizes the obvious importance of this case for religious freedom in the United States.

Second, is modern day capitalism immoral? Do modern day markets necessarily destroy community, divorce exchange of goods and services from morality, and objectify both workers and buyers? There’s no doubt they can do this, but do they do this without exception? I’m not so sure.

Let me say that I certainly think conservatives should stop viewing markets as inherently good and turning a blind eye to greed cloaked in arguments on the morality of efficiency. That said, I don’t think it requires individuals to objectify others, even if that is a temptation, as I’ve noted elsewhere.

Rather, it seems to me that markets are tools that can be used for both good and evil. Modern day capitalism, for example, has reduced poverty and improved education in the third world (both of which can be the handmaidens of a more moral life), and one could argue that it has, in certain respects, strengthened families through the elimination of child labor, reduced working hours, and so forth. Of course, it can also encourage materialism and cause individuals to think of relationships primarily as a transaction. But I’m not convinced—and perhaps my disagreement is ultimately with Polanyi—that it necessarily does these things.

If it’s not inherently immoral, is modern capitalism worse than what it replaced? It may be true that modern day capitalism, more so than the capitalism of yesteryear, encourages individuals to be “rationally calculating” and to view “economic activity in terms of price…in ways that obscure any connections between what is purchased and its implications for our communities.”

But even here Deneen’s argument seems to require a superficial distinction between modern markets and a folksy capitalism of yore when there was no “separation of markets from social and religious contexts.” When was this time? What was this economy? In Shakespeare’s day, fishmongers were reputed cheats—so much so the word became a euphemism for a pimp. And while some 19th century mom-and-pop stores may have helped bring people together, others were as cutthroat as your 21st century venture capitalist. Of course, it may be more difficult to cut the throats of people you know, but it can also be more tempting when you dislike them. Today’s markets are certainly more anonymous, but also less petty and less likely to be used for personal vindictiveness.

Deneen remarks that no economy is neutral, but that does not mean we need to score each as either “moral” or “immoral.” I think it’s more accurate to say that most market economies are a composite of both good and evil elements that can push agents in one way or another, depending on the tool, the circumstances, and the individual (or corporation of individuals) making the decision.

So how has Hobby Lobby used market capitalism? I don’t know enough to say. I respect their decision to close on Sundays, though Deneen is certainly right that neither this nor the fact that it is owned by a family and plays Christian music makes it either moral or Christian.

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