“Three things taught me conservative love / Jesus, Ronald Reagan, plus Atlas Shrugged.” Rappers “Serious C.” and “Stiltz” are students at Dartmouth. They’ll be lucky if Jeffrey Hart doesn’t cane them. (Of course, I had no problem getting down to this last year, so perhaps I’m not one to talk.)

Hip-hop is perilous for conservative-movement types because, especially where white rappers are involved, it’s a medium fraught with irony. Note that the successful white rappers have not been those who take themselves seriously (think Vanilla Ice) but those who have a high degree of absurdity or irony in their lyrics (think Eminem or the Beastie Boys). Here we get two Dartmouth prepsters rapping, which is ironic, but the message they’re trying to get across, although poorly conceived, is not meant to be ironic at all. When your form clashes with your content this badly, you only wind up with kitsch.

There’s plenty of awful left-wing hip-hop out there, but lefties have been better at navigating the currents of the medium. Obama in particular seems to have an affinity for it, making Steele sound extraordinarily gauche by contrast, not because Obama is more “authentically black” than Steele but because his Hawaiian/Indonesian background immersed him in cultures where identity is complex and fluid. That, I suspect, gives him a keen feel for the interplay of irony and authenticity.

See George Hawley at PostRight for more.

Kurtz is frequently in hysterics over a television show called "Big Love," which is apparently about polygamy, or what Kurtz calls "polyamory" (a bastard neologism of Latin and Greek roots, something else I can't stand). Like most people, I have never seen this show. It's on HBO — premium cable. I don't even have basic cable. And do you know why? Because I don't like the tripe that passes for mass entertainment. I have a hard time feeling oppressed by something that I don't watch and don't pay for.

But Kurtz thinks those of us who do the sensible thing and shut off the noise boxes ought to feel oppressed — be afraid, be very afraid:

Conservatives need to face the fact that our position in this culture is genuinely precarious. If we lose our hold on power, we’ll scream bloody murder on our outlets at everything the other side does. Yet those screams may only confirm our helplessness. The deep cultural dimension of our political battles makes an ordinary transfer of political power far more consequential than it was in the days when America had a bipartisan foreign policy and a broad cultural consensus.

How the blazes does Republican control of Congress, the White House, and the Supreme Court translate into a more conservative culture? If America has suddenly become more conservative in its film, radio, and television in the age of Bush, I haven't noticed. And if Kurtz means that a.) Republican governments can censor culture he doesn't like and b.) Republican governments forestall liberal efforts to use the force of law against conservatives in the culture, I have bad news for him: any aggrandizement of the state that can achieve a.) will, at some point in the not too distant future, also undermine b.) When you make the state a censor, you give it power not only to prohibit what is wrong but also what is right.

Kurtz ought to know that, and I'm sure he does. But the culture war has become the equivalent of the old bloody shirt, a symbol to wave about to raise up the voters while distracting them from what's actually happening in government. Bush and his pet Congress are in no sense conservative — not with their Wilsonian wars, their schizophrenic and feckless immigration policy, their trashing of constitutional and traditonal liberties, and their record-breaking spending. Conservative voters should not give them a pass just because they dislike "the Da Vinci Code."

At the same time, a few conservative hosts are joining in the chorus of Bush administration criticism on issues such as the Dubai port-management deal, lending some credibility to their claims that they don’t simply parrot Republican National Committee talking points. At the very least, political passions make for a lively debate, the life’s blood of programs such as Fox News’ “Hannity & Colmes.”

Both TV and cable talkers are also finding ancillary topics that play to a conservative base. The so-called “culture wars” and “liberal Hollywood,” for example, figure to get a vigorous workout in the wake of the Oscars…

I wonder how long the usual suspects can continue to beat that particular dead horse. There are a few ways in which the “culture war” is quite real, but for the most part it’s a means for Republican flacks to pull off a bait-and-switch, distracting their base from hard issues of economics and politics — politics as in what the government can do to you — and instead getting the base riled up about pop-cultural ephemera and impotent academic leftists. (Not all academic leftists are impotent, of course, but honestly, few enough students actually in sociology classes take their professors seriously; no one else does at all. Look to the law schools if you want to know where the real danger lies. For that matter, look to the Chicago School of Economics, too.)