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Listen To My Jazzy Blogspeak

Camille Paglia cannot let go of her vision of Palin as the experimental jazz saxophonist of language: I was so outraged when I read Cavett’s column that I felt like taking to the air like a Valkyrie and dropping on him at his ocean retreat in Montauk in the chichi Hamptons. How can it be […]

Camille Paglia cannot let go of her vision of Palin as the experimental jazz saxophonist of language:

I was so outraged when I read Cavett’s column that I felt like taking to the air like a Valkyrie and dropping on him at his ocean retreat in Montauk in the chichi Hamptons. How can it be that so many highly educated Americans have so little historical and cultural consciousness that they identify their own native patois as an eternal mark of intelligence, talent and political aptitude?

In sonorous real life, Cavett’s slow, measured, self-interrupting and clause-ridden syntax is 50 years out of date. Guess what: There has been a revolution in English — registered in the 1950s in the street slang, colloquial locutions and assertive rhythms of both Beat poetry and rock ‘n’ roll and now spread far and wide on the Web in the standard jazziness of blogspeak. Does Cavett really mean to offer himself as a linguistic gatekeeper for political achievers in this country?

Yes, it’s a lack of historical consciousness that causes people to think that spoken English should be coherent and comprehensible. No one should be concerned about declining standards or setting an atrocious example for those learning how to use their own language. Poor grammar and disjointed sentences aren’t lamentable signs of cultural deterioration–they’re just “colloquial locutions”! In other words, Cavett’s criticisms of Palin’s use of language were entirely accurate, but are supposedly too fusty and outmoded for the hip blogspeaking kids…and Camille Paglia. Does she think that it is a tribute to Palin to say that her “exuberant” way of speaking is “closer to street rapping than to the smug bourgeois cadences of the affluent professional class”? To hear Paglia tell it, Amy Poehler did not need to perform a Palin rap song on SNL–we need only listen to Palin’s interview excerpts to hear the sounds of the street…or are they the sounds of Wasilla’s Super Wal-Mart parking lot?

Reading Paglia’s descriptions of Palin’s language, I am reminded of newspaper articles that describe crime-ridden neighborhoods as “vibrant.” This is the hyper-condescension of the anti-bien pensant person, who in this case makes a grand show of her sympathy for a target of conventional ridicule to show how even more enlightened and thoughtful she is than the merely “provincial” bourgeoisie. Paglia is worldly-wise, and she appreciates the wonderful “exuberance” of Palin, in much the same way that outsiders might praise the “warmth” of “charming” and “colorful” ethnic neighborhoods as a way of subtly reasserting their superiority while pretending to praise the people who live there. Let us hope that Palin does not make a comeback, if only to spare us more of Paglia’s Palinophilia.

P.S. “Wolf control” (i.e., cruelly running–and gunning–down wolves from the air) is now a working-class more mos? Who knew?

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