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George Lucas Destroyed Modernity

Well, no, not really, but Michael Lind (via Andrew) seems to think so: If there was a moment when the culture of enlightened modernity in the United States gave way to the sickly culture of romantic primitivism, it was when the movie “Star Wars” premiered in 1977. A child of the 1960s, I had grown […]

Well, no, not really, but Michael Lind (via Andrew) seems to think so:

If there was a moment when the culture of enlightened modernity in the United States gave way to the sickly culture of romantic primitivism, it was when the movie “Star Wars” premiered in 1977. A child of the 1960s, I had grown up with the optimistic vision symbolized by “Star Trek,” according to which planets, as they developed technologically and politically, graduated to membership in the United Federation of Planets, a sort of galactic League of Nations or UN. When I first watched “Star Wars,” I was deeply shocked. The representatives of the advanced, scientific, galaxy-spanning organization were now the bad guys, and the heroes were positively medieval — hereditary princes and princesses, wizards and ape-men. Aristocracy and tribalism were superior to bureaucracy. Technology was bad. Magic was good.

One of the things that Lind’s preferred states all have in common is that they are expansive, bureaucratic, centralized states ruled by autocrats or unaccountable overseers, and they are capable of extracting far larger revenues out of their economies than their successors. Obviously, Lind finds most of these traits desirable, and he seems not terribly bothered by the autocracy. In the case of the UFP, one simply has a technocrat’s utopian post-political fantasy run riot. Indeed, the political organization of the Federation has always struck me as stunningly implausible and unrealistic even by the standards of science fiction. It was supposed to be a galactic alliance with a massive military whose primary purposes were exploration and peacekeeping, and which had overcome all social problems by dint of technological progress. If ever there were a vision to appeal to a certain type of romantic idealists with no grasp of the corrupting nature of power or the limits of human nature, this would have to be it.

Lind’s article is not very persuasive, not least since his treatment of the change from antiquity to the middle ages is seriously flawed. Lind writes:

But few would disagree that the Europe of Charlemagne was more backward in its mindset, at least at the elite level, than the Rome of Augustus or the Alexandria of the Ptolemies.

Nor are the great gains of decolonization and personal liberation in recent decades necessarily incompatible with an intellectual and cultural Dark Age. After all, the fall of the Roman empire led to the emergence of many new kingdoms, nations and city-states, and slavery withered away by the end of the Middle Ages in Europe.

Well, count me among the “few” that would disagree. For one thing, the “Europe of Charlemagne” was also the Europe of the Byzantines, and under both the Carolingians and the Macedonians later in the ninth century there was extensive cultivation of literary and artistic production that significantly undermines claims that this was an “intellectual and cultural Dark Age.” This was an era of substantial manuscript production, and one marked by the learning of Eriugena and Photios. The Carolingian period was actually one of the more significant moments of political reunification in Europe prior to the later middle ages, but it is true that Charlemagne and his successors did not have a large administrative state apparatus at their disposal. The Iconoclastic emperors in the east were hostile to religious images, but in many other respects they cultivated learning and drew on the mathematical and scientific thought that was flourishing at that time among the ‘Abbasids. Obviously, we are speaking of the elite, but it is the elites of different eras that Lind is comparing. The point is not to reverse the old prejudice against medieval Europe and direct it against classical antiquity, nor we do have to engage in Romantic idealization of medieval societies, but we should acknowledge that this approach to history that Lind offers here abuses those periods and cultures that do not flatter the assumptions or values of modern Westerners. For that matter, it distorts and misrepresents the periods and cultures moderns adopt as their precursors, because it causes them to value those periods and cultures because of how they seem to anticipate some aspect of modernity rather than on their own terms.

There are very real trade-offs in opting for political and economic decentralization, just as there are significant costs in opting for centralization. Under a decentralized arrangement, efficiency and utility are going to be sacrificed for the sake of other goods (e.g., preserving local traditions and communities, sustainability, social solidarity, cultural identity, greater political autonomy, etc.) that Lind either ignores or simply declares backwards. Lind prefers one tendency that leads towards empire, concentrations of power and wealth, and technocratic government, and he is dismayed that anyone would object to the costs that these things impose. He would prefer instead that we pretend that those costs don’t exist, and he wants us to accept that resistance to the advance of Progress is futile. It is telling that his concluding proposal sounds a great deal like Aldous Huxley’s Brave New World.

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