
It seems to me that there are, generally speaking, four ways of thinking about the threefold Hobbit:
1) I don’t care; I won’t be seeing them.
2) I will be seeing the first one, and I’m really hoping that it’ll be a well-made film and not just a loose baggy monster, or else I may not come back for the next installments.
3) I may or may not see the first one, depending on reports I get from reviewers and friends.
4) Hooray! I get to spend nine more hours in Middle-earth!
I’m pretty sure that there are more than enough people in the fourth camp to make these films big money-makers. And those folks don’t think of Peter Jackson’s decision to split the story into three films as an act of money-grubbing cynicism: they’re grateful that he’s giving them more of what they want.
There’s a good deal of disagreement among the most passionate Tolkien-lovers about the validity of Peter Jackson’s adaptations, but what devotees of Tolkien and Jackson alike value above all else, aesthetically speaking, is immersion in a fictional world. Whether the story is tightly woven and well-paced, or the acting compelling, or the characters fully developed, may matter to some degree, but not nearly as much as the opportunity to live for a few hours in Middle-earth.
I suspect, then, that even the purists, who note every deviation from the Tolkienian text with clucks of disapproval, will suspend their critical faculties long enough to enjoy being transported back to the dear old Shire and to look once more upon the dangerous beauties of the Misty Mountains.



I had many quibbles with Jackson’s LOTR films (was I the only one who thought that he and his writers would have been glad to have found some way of ditching Saruman and the Ents altogether, but knew they couldn’t get away with it?) but I understood that quibbles were inevitable given the different demands of the two mediums, and overall I thought the films were wonderful, and was (and am) grateful to have them. This Hobbit trifecta, though…I really don’t know. I could reasonably see the story being split in two – at the point where the dwarves are imprisoned by the Elvenking with Bilbo invisibly wandering the halls – but three? It’s hard to see how it can be done without serious padding and the resulting flabbiness. I’m not completely in Alan’s category 4, but its pull is strong enough to put me at least in 2 for now.