At the Level Ground film festival the other weekend, I got to see “Desire of the Everlasting Hills,” a truly moving and well-made documentary—and an example of the movement I described in my “Coming Out Christian” piece.
“Desire” lets three gay or same-sex attracted Catholics tell their stories. It’s not confrontational or argumentative; the overall tone is tender and reflective. I saw it twice, and it evoked both laughter and sniffles from the audience.
And the stories seem perfectly crafted to disrupt conventional ideas of “ex-gay” narratives. At first Paul seems like your central-casting disco kid, who fled a life of promiscuity. Rilene’s the lonely woman neglected by men, who is seduced at a low point in her life by a predatory lesbian. And Dan had a boyfriend, but began to find himself falling for a woman—his chance to have a “normal” life and a family. So far, so frustrating. But the movie is startlingly well-paced (its “plot twists” got gasps and exclamations) as we learn that these three lives are anything but pious paint-by-numbers cartoons.
There’s so much to say about this film! Director Eric Machiela’s use of nature imagery is perfectly-timed and poignant. (The saccharine piano music is the only major aesthetic flaw.) It opens a bit defensively, with the three subjects talking about how they just want to be known and not judged, but once we settle in to hearing their stories the movie finds its rhythm. I wanted to know so much more about all of them; I wanted to hang out with them. There are tart words from Mother Angelica, “the pirate nun,” and tender memories of the good old nights at Studio 54; there’s fondness for the Church and fury at God; financial upheaval, a miserable peace sign, self-sacrificial gay love, and a Good Friday buzzkill from John Paul II himself.
There are some fascinating theological contrasts: Paul’s most direct experiences of God come when he is being rescued or spared something he expected to be unbearably painful—the most intense example comes when he’s on the way to the doctor to learn his HIV status—whereas both Dan and especially Rilene see God’s hand most clearly in the losses and humiliations of life. (For readers of my AmCon piece: I was struck by how unembarrassed Dan and Rilene were by their own loneliness and suffering. It’s a part of life, to be approached with the same passion and good humor as other parts.) I think this movie would challenge any Christian—no matter their church affiliation or views on sexual ethics. It shows the wild diversity within orthodoxy, the sheer weirdness and unpredictability of faithful Catholic lives.
“Desire” beautifully shows common human experiences such as longing, loneliness, the loss of a loved one, the slow building of a lifelong love, and the attempt to reconcile religious faith and romantic love, experienced from a unique perspective. These stories are as richly textured as a nineteenth-century novel, suffused with hope and mystery, and told just about as well as I can imagine. I’m not sure how to get a copy, but you can try Gorilla Pictures or Level Ground—it’s worth making a real effort to find this thing.